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Searows - Death in the Business of Whaling
Searows - Death in the Business of Whaling
Searows - Death in the Business of Whaling
Searows - Death in the Business of Whaling
Searows - Death in the Business of Whaling
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  • Load image into Gallery viewer, Searows - Death in the Business of Whaling
  • Load image into Gallery viewer, Searows - Death in the Business of Whaling
  • Load image into Gallery viewer, Searows - Death in the Business of Whaling
  • Load image into Gallery viewer, Searows - Death in the Business of Whaling

Searows - Death in the Business of Whaling

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Due for release 23rd January 2026 via Last Recordings on Earth

CD / Std Black LP / Ltd Gold LP / Ltd Dinked Edition LP

Dinked Edition No. 372 features:
Seaglass with gold splatter vinyl
Alternative artwork oversleeve
Signed edition
Hand numbered
Limited pressing of 350

Searows - aka Pacific Northwest singer-songwriter and guitarist Alec Duckart - will release his new album Death in the Business of Whaling on Friday 23rd January 2026 via Last Recordings On Earth. 

Though Death in the Business of Whaling arrives as Searows’ second album, it’s the product of many firsts, including his first time recording outside the creative cocoon of his bedroom. His 2022 debut Guard Dog was written, recorded and self-produced in Duckart’s Portland home and independently released with little expectation as to how it would be received. The music soon found a passionate audience that were already sharing snippets of Duckart’s music via communities on TikTok and received co-signs from prominent artists such as Ethel Cain and Gracie Abrams, both of whom he went on to support on tour. 

Time spent on the road touring the hushed and compelling songs from Guard Dog and subsequent projects End Of The World and flush was instructive when working out the direction his new material would take musically and lyrically, with collections of ideas for his new record starting to take real shape in late 2024. When the time came to commit them to tape, he set up shop in a converted horse barn outside of Seattle, keen to harness a greater sense of scale and space in the creation of the music, working this time with co-producer Trevor Spencer (Father John Misty, Beach House, Mary Lattimore) to expand his creative vision. The result showcases Duckart’s range as a songwriter, pushing the boundaries of his typical acoustic palette into electrifying guitars and beating drums, and writing songs that read more like folklore.
The songs became a vessel for digging deep and exploring his life and point of view, but in a way that spoke outwardly more symbolically than literally. “Something your subconscious understands before your conscious mind does. Visceral rather than literal. And that relationship to our deeper selves, our subconscious, our souls, is a major theme of the album for me. Most of these songs are about the different ways we all bump up against the human condition. Our spirit, the shadow self, our egos, trauma, love and fate. How we cope with our experiences and how we connect and take care of one another in an exceedingly dark and violent world. This record is still deeply personal to me. But it is an attempt to reveal my cards in a more coded, symbolic manner.